Festival in Cannes - Anouk Aimee - Movie Poster 27" X 40" (379)

• Festival in Cannes
• Anouk Aimee
• Movie
• Poster
• Measures 27" X 40"

Filming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo in the new Tom Hanks vehicle. As in The Player, Jaglom focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase f! or a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyFilming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo in the new Tom Hanks vehicle. As in The Player, Jaglom focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, includ! ing Maximilian Schell as Millie's husband and Ron Silver as th! e produc er behind the Hanks project. --Kathleen C. FennessyScreenplay and film stills plus the original movie treatment. Filmed against the backdrop of the world famous Cannes International Film Festival, Henry Jaglom's "Festival in Cannes" is a story that plunges the audience deep into the heart of the funny, touching, sometimes glamourous, often duplicitous world of the haves and have-notes of the International Movie Business. FOR MORE INFORMATION, PLEASE VISIT: TheRainbowStore.comFESTIVAL IN CANNES Movie Poster. Starring: Anouk Aimée & Greta Scacchi. Written and Directed by: Henry Jaglom. 2002 Paramount Pictures. Measures 27" X 40"

Big Red Calculator, The Official Calculator Of The National Debt

• 16-Digit Large LED Display
• Tax, Mark Up and Memory Ideal for Business and Finance
• 112 Step Check and Correct for Long Calculations
• Solar / Battery Powered
• "Official Calculator of the National Debt"

Academy Award® winner Helen Mirren and two-time Academy Award® nominee Tom Wilkinson star in The Debt, "a pulse-pounding and politically charged suspense thriller." (Karen Durbin, Elle) In 1966, three Mossad agents were assigned to track down a feared Nazi war criminal hiding in East Berlin, a mission accomplished at great risk and personal cost - or was it? Thirty years later, the suspense builds as shocking news and surprising revelations compel retired team member Rachel Singer (Mirren) to take matters into her own hands. Co-starring Sam Worthington, Jessica Chastain and Ciarán Hinds, it's the film critics call "an intelligent thriller with superb performances.! " (USA Today) Starring: Helen Mirren, Sam Worthington, Jessica Chastain, Jesper Christensen, Marton Csokas, Ciaran Hinds, Tom Wilkinson Directed by: John MaddenThe Debt fuses physical and moral peril as it fuses past and present. In the contemporary half of the story, ex-Mossad agent Rachel Singer (Helen Mirren) tells and retells the story of how she and her fellow agents David Peretz (Ciarán Hinds, Rome) and Stephan Gold (Tom Wilkinson, In the Bedroom) captured and killed a Nazi war criminal. But in flashbacks to Cold War East Berlin, younger versions of Rachel, David, and Stephan (Jessica Chastain, Sam Worthington, and Marton Csokas, respectively) play out a significantly different series of events--and the gap between past and present takes its toll on all three in different (and in one case gut-wrenching) ways. Though Mirren, Hinds, and Wilkinson are a powerhouse trio, it's the Cold War scenes that take hold of the viewer. Jesper Christensen (as t! he Nazi) invests his conversations with Chastain and Worthingt! on with silky insinuation and taunting contempt, building a devastating suspense. Fans accustomed to Worthington in his action-movie roles (Avatar, Clash of the Titans) will be surprised by the gentle vulnerability he shows here, but it's Chastain (The Tree of Life) who captures the movie's emotional core. She and Mirren perform a strange collaboration that can only happen in the movies, building a fierce and brittle woman out of their complementary performances. --Bret FetzerThe author, Glenn Langohr spent 10 years inside the most violent prisons in California on drug charges. He paints the culture into words and takes you on a journey into the belly of the beast with an authentic look at gang warfare over drug debts behind bars.

A depiction of life inside of prison and a look at the political landscape between races who are segregated by cell after being released from the Pelican Bay SHU in California. The amazing details of prison life - co! de words that prisoners use, explanations of how they communicate from cell to cell - really make you feel you have entered a different world, or like you are watching a movie about prison life. The story shows how race riots that can kill prisoners can be started for very small and seemingly unimportant reasons, and how violence permeates every aspect of prison life.

Check out Roll Call and the Sequel, Upon Release: Upon Release from Pelican Bay Prison, B.J struggles not to look back at the Criminal Justice System that tried to kill him. Inspired to help prisoners turn their lives around through art, he tries to work for the church. Running into judgment, the church doesn't tell the shelter he lives at he was volunteering his time helping orphans and B.J is on the run again. Add a beautiful ballerina, a good cop squeezed out of the loop by overzealous detectives, a prison protest to help the voiceless, and the temptation to do a massive drug run from Mexico, an! d you have the perfect recipe for a Spiritual revolution, wher! e compas sion is missing, all leaving the reader wondering; who are the real criminals?The author, Glenn Langohr spent 10 years inside the most violent prisons in California on drug charges. He paints the culture into words and takes you on a journey into the belly of the beast with an authentic look at gang warfare over drug debts behind bars.

A depiction of life inside of prison and a look at the political landscape between races who are segregated by cell after being released from the Pelican Bay SHU in California. The amazing details of prison life - code words that prisoners use, explanations of how they communicate from cell to cell - really make you feel you have entered a different world, or like you are watching a movie about prison life. The story shows how race riots that can kill prisoners can be started for very small and seemingly unimportant reasons, and how violence permeates every aspect of prison life.

Check out Roll Call and the Sequel, Upon Release! : Upon Release from Pelican Bay Prison, B.J struggles not to look back at the Criminal Justice System that tried to kill him. Inspired to help prisoners turn their lives around through art, he tries to work for the church. Running into judgment, the church doesn't tell the shelter he lives at he was volunteering his time helping orphans and B.J is on the run again. Add a beautiful ballerina, a good cop squeezed out of the loop by overzealous detectives, a prison protest to help the voiceless, and the temptation to do a massive drug run from Mexico, and you have the perfect recipe for a Spiritual revolution, where compassion is missing, all leaving the reader wondering; who are the real criminals?Before there was money, there was debt

Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systemsâ€"to relieve ancient people from having to haul their goods to market. The problem with this version of histor! y? There’s not a shred of evidence to support it.

Here a nthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goodsâ€"that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors.

Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.

Debt: The First 5,000 Years is a fascinating chronicle of! this little known historyâ€"as well as how it has defined human history, and what it means for the credit crisis of the present day and the future of our economy.


From the Hardcover edition.Before there was money, there was debt

Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systemsâ€"to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it.

Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goodsâ€"that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors.

Graeber shows th! at arguments about debt and debt forgiveness have been at the ! center o f political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.

Debt: The First 5,000 Years is a fascinating chronicle of this little known historyâ€"as well as how it has defined human history, and what it means for the credit crisis of the present day and the future of our economy.


From the Hardcover edition.The Big Red Calculator is capable of displaying very large numbers like "Trillions", or calculating the National Debt and the Federal Budget Deficit. For business, office and home use. Large digits allow easy viewing and large sure-feel buttons make digit entry reliable. Dual power allows for use! in varied lighting conditions. Includes illustrated step-by-step manual with sample calculations. Features include 16-digit large LED display capable of showing "trillions", with Tax, Mark Up, 112 Step Check, Auto Replay and Grand Total functions, solar/battery power, large sure-feel buttons, bold red color, easy-to-read instructions, CE/RoHS compliant.

Arachnophobia

• Everyone is afraid of something for Dr. Ross Jennings, his phobia is downright embarrassing. But when he moves his family to a small town, the one thing that bugs him most is now harming the townspeople at an alarming rate. For this unlikely hero, overcoming a childhood fear of spiders might just save the community, but it may already be too late! System Requirements: Starring: Jeff Daniels, J

EIGHT LEGGED FREAKS - DVD MovieIn the grand tradition of atomic-age monster movies, Eight Legged Freaks delivers everything you'd want from a giant-spider thriller. The plot's hardly original, but familiarity is half the fun, beginning when toxic waste results in a stampede of gigantic, ravenous arachnids in the depressed mining town of Liberty, Arizona. David Arquette is Liberty's prodigal son, returning to save the town from greedy developers, and to reunite with the lovely local sheriff (Kari ! Wuhrer), whom he never stopped loving. Before long they're saving the town from a teeming horde of jumbo-size "jumpers," "orb-weavers," tarantulas, and other eight-legged beasties, brought to life by digital effects that are consistently fantastic. Though not quite as witty as the similarly exciting Tremors, this "arach-attack" offers a deft balance of creepy shocks, sight gags, and tongue-in-cheek satire. Cleverly expanding his New Zealand short "Larger Than Life," first-time director Ellory Elkayem gives genre fans and arachnophobes a giddy nightmare they won't soon forget. --Jeff ShannonResidents of a rural mining town discover that an unfortunate chemical spill has caused hundreds of little spiders to mutate overnight to the size of SUVs. Movie tagline: Do you hate spiders? Do you really hate spiders? Well they don't like you either. In the grand tradition of atomic-age monster movies, Eight Legged Freaks delivers everything you'd want from a giant-! spider thriller. The plot's hardly original, but familiarity i! s half t he fun, beginning when toxic waste results in a stampede of gigantic, ravenous arachnids in the depressed mining town of Liberty, Arizona. David Arquette is Liberty's prodigal son, returning to save the town from greedy developers, and to reunite with the lovely local sheriff (Kari Wuhrer), whom he never stopped loving. Before long they're saving the town from a teeming horde of jumbo-size "jumpers," "orb-weavers," tarantulas, and other eight-legged beasties, brought to life by digital effects that are consistently fantastic. Though not quite as witty as the similarly exciting Tremors, this "arach-attack" offers a deft balance of creepy shocks, sight gags, and tongue-in-cheek satire. Cleverly expanding his New Zealand short "Larger Than Life," first-time director Ellory Elkayem gives genre fans and arachnophobes a giddy nightmare they won't soon forget. --Jeff ShannonA VARIETY OF HORRIBLE POISONOUS SPIDERS GET EXPOSED TO A NOXIOUSCHEMICAL WHICH CAUSES THEM TO G! ROW TO MONUMENTAL PROPORTION.In the grand tradition of atomic-age monster movies, Eight Legged Freaks delivers everything you'd want from a giant-spider thriller. The plot's hardly original, but familiarity is half the fun, beginning when toxic waste results in a stampede of gigantic, ravenous arachnids in the depressed mining town of Liberty, Arizona. David Arquette is Liberty's prodigal son, returning to save the town from greedy developers, and to reunite with the lovely local sheriff (Kari Wuhrer), whom he never stopped loving. Before long they're saving the town from a teeming horde of jumbo-size "jumpers," "orb-weavers," tarantulas, and other eight-legged beasties, brought to life by digital effects that are consistently fantastic. Though not quite as witty as the similarly exciting Tremors, this "arach-attack" offers a deft balance of creepy shocks, sight gags, and tongue-in-cheek satire. Cleverly expanding his New Zealand short "Larger Than Life," firs! t-time director Ellory Elkayem gives genre fans and arachnopho! bes a gi ddy nightmare they won't soon forget. --Jeff ShannonResidents of a rural mining town discover that an unfortunate chemical spill has caused hundreds of little spiders to mutate overnight to the size of SUVs. Movie tagline: Do you hate spiders? Do you really hate spiders? Well they don't like you either. In the grand tradition of atomic-age monster movies, Eight Legged Freaks delivers everything you'd want from a giant-spider thriller. The plot's hardly original, but familiarity is half the fun, beginning when toxic waste results in a stampede of gigantic, ravenous arachnids in the depressed mining town of Liberty, Arizona. David Arquette is Liberty's prodigal son, returning to save the town from greedy developers, and to reunite with the lovely local sheriff (Kari Wuhrer), whom he never stopped loving. Before long they're saving the town from a teeming horde of jumbo-size "jumpers," "orb-weavers," tarantulas, and other eight-legged beasties, brought to life by ! digital effects that are consistently fantastic. Though not quite as witty as the similarly exciting Tremors, this "arach-attack" offers a deft balance of creepy shocks, sight gags, and tongue-in-cheek satire. Cleverly expanding his New Zealand short "Larger Than Life," first-time director Ellory Elkayem gives genre fans and arachnophobes a giddy nightmare they won't soon forget. --Jeff ShannonOutrageous and hilarious. Youll laugh out loud and enjoy the fun action and out-of-this-world special effects as these unlikely heroes battle the most unecpected group of aliens youll ever see. Studio: Paramount Home Video Release Date: 08/24/2004 Starring: David Duchovny Seann William Scott Run time: 102 minutes Rating: Pg13 Director: Ivan ReitmanBased on the evidence in Evolution, one thing is perfectly clear: special effects have evolved, but director Ivan Reitman has reverted to primitive pandering. Equally obvious is the fact that Evolution is a ! de facto rip-off of Reitman's 1984 classic Ghostbusters! , but th is time there's no Bill Murray to deliver the best punch lines (we have to settle for fellow ghostbuster Dan Aykroyd in a broad supporting role), and the comedy has devolved into a grossfest including deep-rectal extraction of alien insects, fire-hose enemas into a giant alien sphincter, and a full-moon display of David Duchovny's naked posterior. Whereas Ghostbusters was a shrewd, irreverent mainstream comedy that combined gooey spectral ectoplasm with something resembling genuine wit, Evolution is a crude, juvenile romp in which all things slimy are elevated to comedic supremacy.

Granted, that's not always a bad thing. As latter-day ghostbuster equivalents, Duchovny, Orlando Jones, and Seann William Scott make a fine comedic trio, and Julianne Moore is equally amusing as a clumsy scientist and Duchovny's obligatory love interest. Despite the meddling of clueless military buffoons, they join forces to eradicate a wild variety of rapidly evolving alien cre! atures that arrived on Earth via meteor impact, and the extraterrestrial beasties (courtesy of effects wizard Phil Tippet and crew) are outrageously designed and marvelously convincing. For anyone who prefers lowbrow humor, Evolution will prove as entertaining as Ghostbusters (or at least Galaxy Quest), while others may lament Reitman's shameless embrace of crudeness. One thing's for certain: after seeing this movie, you'll gain a whole new appreciation for Head & Shoulders shampoo. --Jeff Shannon Hollywood Pictures and Amblin Entertainment deliver the year's most electrifying big-screen roller coaster ride of a movie! Everyone is afraid of something ... for Dr. Ross Jennings (Jeff Daniels), his phobia is downright embarrassing. But when he moves his family to a small town, the one thing that bugs him most is now harming the townspeople at an alarming rate. For this unlikely hero, overcoming a childhood fear of spiders might just save the communi! ty, but it may already be too late! Directed by Frank Marshall! (Execut ive Producer, BACK TO THE FUTURE, Producer, RAIDERS OF THE LOST ARK) and also starring John Goodman, this critically acclaimed breathtaking hit entertains with its terrific mix of thrills, chills, and laughter!Most horror movies depend on giant monsters; Arachnophobia gets just as many thrills out of creatures only a few inches long. A scientist (Julian Sands, Warlock, A Room with a View) who's hunting a vicious new species of spider in Venezuela unknowingly ships one back to the U.S. It ends up in a small town where a new doctor (Jeff Daniels, The Purple Rose of Cairo, Something Wild) is trying to establish a practice. When his patients start suddenly dying, Daniels suspects spiders--but no one takes him seriously because he's had a phobia about spiders since childhood. Arachnophobia builds a slow but relentless sense of menace and creepiness, mixed with a sneaky satire of small town life. If you're squeamish about spiders,! this will get under your skin. Also featuring the ever-dependable John Goodman (The Big Lebowski, Barton Fink) as a comically zealous exterminator. --Bret Fetzer

Bambi (Two-Disc Diamond Edition)

• BAMBI: DIAMOND EDITION (DVD MOVIE)

For the first time ever, the wonder, music and majesty of one of Walt Disney's greatest triumphs comes alive in glorious detail through the magic of Blu-rayTM high definition! Now Bambi, Walt Disney's beloved coming-of-age story, will thrill a new generation of fans with its breathtakingly beautiful animation, soaring music and characters who will touch your heart-Bambi, the wide-eyed fawn, his playful pal Thumper, the loveable skunk Flower and wise Friend Owl. Plus, all-new immersive game and special features that reveal the extraordinary creative process behind the making of this timeless classic take you deeper into Bambi's world than ever before!It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation ! (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi h! imself is just a bit dull--such is the fate of an Everydeer--h! is rabbi t sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton