Beerfest (Unrated Widescreen Edition)

• After a humiliating false start in Germany's super-secret underground beer competition, America's unlikely team vows to risk life, limb and liver to dominate the ultimate chug-a-lug championship. The laughs are on the haus!Running Time: 116 min. Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 085391102076 UPC: 085391102076 Manufacturer No: 110207

Broken Lizard is back?and this time the crazy comedy troupe that brought you Super Troopers is taking you on a trip so outrageously fun?it?s murder. Welcome to Coconut Pete?s Pleasure Island, a tropical, tequila-soaked vacation resort where high-spirited fun soon takes a deadly turn?leaving the island?s hilariously inept staff to battle a machete-wielding maniac as they fight to survive another day in paradise. Filled with sidesplitting humor, scary slasher scenes, and plenty of bikini-clad babes, Broken Lizard?s Club Dread is a comedy to die fo! r!Looking for plenty of sex, violence, and lowbrow comedy? If you are, you could do a lot worse (or is it a lot better?) than to visit Club Dread, a boldly wretched excuse for broad comedy perpetrated by the Broken Lizard troupe--the same guys who brought their potty-mouthed brand of lunacy to bear on 2002's Super Troopers. That alone should serve as ample warning or invitation, depending on your tolerance for way-too-casual sketch comedy, stitched together with an emphasis on big, gross laughs and enough female frontal nudity to give Girls Gone Wild a run for its money. It all takes place on Coconut Pete's Pleasure Island, where Pete (Bill Paxton, slumming it with infectious abandon) holds court while scantily clad vacationers play crazy games (life-size Pac-Man, anyone?) and provide easy prey for a slasher on the loose. Ah, but there's the rub: Is this schizoid movie a comedy or a horror flick? It's both... and neither... and the bloodletting is surpr! isingly extreme amidst all the poop and fart jokes. Of course,! that wo n't stop Club Dread from finding its audience. We know you're out there…and you know who you are. --Jeff ShannonBroken Lizard is back…and this time the crazy comedy troupe that brought you Super Troopers is taking you on a trip so outrageously fun…it’s murder. Welcome to Coconut Pete’s Pleasure Island, a tropical, tequila-soaked vacation resort where high-spiritedLooking for plenty of sex, violence, and lowbrow comedy? If you are, you could do a lot worse (or is it a lot better?) than to visit Club Dread, a boldly wretched excuse for broad comedy perpetrated by the Broken Lizard troupe--the same guys who brought their potty-mouthed brand of lunacy to bear on 2002's Super Troopers. That alone should serve as ample warning or invitation, depending on your tolerance for way-too-casual sketch comedy, stitched together with an emphasis on big, gross laughs and enough female frontal nudity to give Girls Gone Wild a run for its money. It! all takes place on Coconut Pete's Pleasure Island, where Pete (Bill Paxton, slumming it with infectious abandon) holds court while scantily clad vacationers play crazy games (life-size Pac-Man, anyone?) and provide easy prey for a slasher on the loose. Ah, but there's the rub: Is this schizoid movie a comedy or a horror flick? It's both... and neither... and the bloodletting is surprisingly extreme amidst all the poop and fart jokes. Of course, that won't stop Club Dread from finding its audience. We know you're out there…and you know who you are. --Jeff ShannonSlammin’ Cleon Salmon, the former Heavyweight Champion of the world, is a mean, crazy, and sometimes infantile bull of a man, who happens to owe $20,000 to the head of the Japanese Yakuza and needs to come up with the money tonight. So he challenges the waiters in the restaurant that he owns, The Slammin’ Salmon, a high end, boxing themed seafood eatery in Miami, to sell more food than they’ve ! ever sold in their lives, with the top waiter earning $10,000,! the los er getting a broken rib sandwich. As the hours pass, the action becomes more chaotic as Cleon shows up to supervise the contest and changes the rules on a minute to minute basis.The Broken Lizard gang is back with The Slammin' Salmon, a rowdy comedy that spends a night in a restaurant of the same name. Boxer Cleon Salmon (Michael Clarke Duncan, 1999 Academy Award nominee for The Green Mile) owns the swanky eatery and needs to raise fast cash to settle a gambling debt. He challenges his hapless crew to a contest to see who can up-sell the most in order to reach his goal of $20,000 before closing time. Director Kevin Heffernan sets a rapid-fire pace loaded with pratfalls, spit takes, food fights, and bathroom humor. The Slammin' Salmon brings together the usual Broken Lizard (Club Dread, Supertroopers, and Beerfest) regulars: Paul Soter, Erik Stolhanske, Steve Lemme, Jay Chandrasekhar, and Heffernan (as the jittery manager)! . Cobie Smulders and April Bowlby round out the cast as frenzied waiters who'll do anything to avoid a "broken-rib sandwich" from the intimidating Salmon. Saturday Night Live's Will Forte plays a table-hogging, water-sipping lone diner who leaves a surprise tip. Vivica A. Fox and Morgan Fairchild make awkward cameos. The one-liners and sight gags can wear thin after an hour, but die-hard Broken Lizard film fans know what they're in for when they watch a Heffernan romp, and The Slammin' Salmon won't disappoint. --Francine Ruley

Stills from The Slammin' Salmon (Click for larger image)

?Prepare to laugh your ass off? (FILM THREAT)! From the Broken Lizard comedy troupe, who brought you the outrageously funny, rambunctiously sexy Super Troopers and Club Dread, here is the original gut-buster that started it all. The premise is simple: Felix Bean, average college Joe, has the hots for campus beauty Suzanne, only to discover her boyfriend is a muscle-bound brute on the rugby team. His pain is everyone?s gain in this riotous laugh fest that you?ll want to see aga! in and again.This good-natured college comedy launched the film careers of the Broken Lizard comedy troupe, who have since enjoyed a cult following with their subsequent features (Super Troopers and Club Dread) and even made inroads to Hollywood (director Jay Chandrasekhar helmed the big-screen Dukes of Hazzard movie). Here the five Lizards play a quintet of clueless college guys pursuing women with varying degrees of success; the humor is broad without tipping too heavily into gross territory, and several moments are laugh-out-loud funny, especially the group's riffs on independent theater, and a missing phone number digit. Made for an astronomically small amount (and funded largely with credit cards), Puddle Cruiser was promoted largely through a screening tour of colleges, which is covered in the disc's accompanying featurette, "Rodeo Clowns." All five Broken Lizard members are also featured on some very amusing commentary tracks. --Paul Ga! itaAfter a humiliating false start in Germany's super-secr! et under ground beer competition, America's unlikely team vows to risk life, limb and liver to dominate the ultimate chug-a-lug championship. The laughs are on the haus!

DVD Features:
Audio Commentary
Deleted Scenes
Featurette
Interviews
Other

While it didn't quite spark a trend in chug-a-lug brew comedies, Beerfest is the kind of zany time-killer that's a lot funnier if you're within reach of a six-pack and Doritos. In other words, this is yet another low-brow laff-a-thon from the Broken Lizard gang (Super Troopers) that's likely to draw a bigger audience on DVD than it did in theaters, especially since there's a lot of duds (and flat suds) to sit through while waiting for the next big beer-belly-laugh. It's the kind of movie that thinks masturbating frogs are funny (OK, you decide), while serving up a gang of guzzling Americans (the aforementioned Broken Lizard troupe, who also write this stuff with dir! ector Jay Chandrasekhar) who compete in an epic beer-drinking contest against the nefarious German challenger Baron Wolfgang Von Wolfhausen (played by German actor Jurgen Prochnow, whose starring role in Das Boot inspires one of this movie's better jokes). When it's not trying to top itself in terms of sheer stupidity and juvenile humor, Beerfest satisfies its target audience (basically, frat-rats and party animals) with some gratuitously bare-breasted babes, rampant consumption of alcohol, and the welcomed appearance of Cloris Leachman, who sort-of reprises her "Frau Blucher" persona from Young Frankenstein. So basically what you've got here is a dim-witted but energetic comedy called Beerfest that delivers exactly what you'd expect from a movie with that title. Who says truth in advertising is dead? --Jeff Shannon

The Anti-Christ

• ISBN13: 9781936594269
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Lars von Trier (Europa, Breaking the Waves, Dancer in the Dark) shook up the film world when he premiered Antichrist at the 2009 Cannes Film Festival. In this graphic psychodrama, a grief-stricken man and womanâ€"a searing Willem Dafoe (Platoon, The Last Temptation of Christ) and Cannes best actress Charlotte Gainsbourg (Jane Eyre, 21 Grams)â€"retreat to a cabin deep in the woods after the accidental death of their infant son, only to find terror and violence at the hands of nature and, ultimately, each other. But this most confrontational work yet from one of contemporary cinema’s most controversial artists is no mere provocation. It is a visually sublime, emotionally ravaging journey to the darkest! corners of the possessed human mind; a disturbing battle of the sexes that pits rational psychology against age-old superstition; and a profoundly effective horror film.Lars von Trier's notorious Antichrist is a fascinating and extremely gruesome experiment that combines B-horror tropes with art film concepts and cinematography to question differences between high horror and low horror, if there are such categories. Like the best of Argento, namely Suspiria, Antichrist follows a strictly formulaic, minimalist, almost operatic script structure in which the story of a couple, played by Willem Dafoe and Charlotte Gainsbourg, grieve their dead son. The highly organized story, like a poem, has ample space for metaphors to form, dwell, and transform into overgrown mysteries, such as the decadent forest, Eden, where the couple retreat to their cabin to face demons. When the camera zooms in on a flower vase's murky water on the nightstand beside a bereft Gains! bourg, one senses the ensuing downward spiral.

While the ! film's p lot, marked by chapters named after stages of grief, like "Pain" and "Despair," is rooted in absolute realism, the film's glorious moments are in its fantasy. There is a talking fox, subtle hints at ghostly occurrences, and many scenes that express the uncanny. Moreover, Gainsbourg's character, obsessed with witchcraft as it relates to historical gynocide and misogyny, adds much to the film's depressing sensibility that wallows unapologetically in decrepitude and faulty, negative reasoning. Dafoe, who plays the psychologist treating his hallucination-plagued wife, does a remarkable job depicting a person struggling through loss with logic. Antichrist works because Dafoe and Gainsbourg create archetypal characters, functioning symbolically as Logic and Psychosis in a Freudian maze with no exit. That said, the violent conclusions in the film's third chapter, "Despair (Gynocide)," are grim, graphic, and very difficult to watch. Antichrist, like its sister film in ! violence portrayed artfully, Irreversible, has all the more shock value because of the archetypal symbolism it successfully establishes. --Trinie DaltonLars von Trier (Europa, Breaking the Waves, Dancer in the Dark) shook up the film world when he premiered Antichrist at the 2009 Cannes Film Festival. In this graphic psychodrama, a grief-stricken man and womanâ€"a searing Willem Dafoe (Platoon, The Last Temptation of Christ) and Cannes best actress Charlotte Gainsbourg (Jane Eyre, 21 Grams)â€"retreat to a cabin deep in the woods after the accidental death of their infant son, only to find terror and violence at the hands of nature and, ultimately, each other. But this most confrontational work yet from one of contemporary cinema’s most controversial artists is no mere provocation. It is a visually sublime, emotionally ravaging journey to the darkest corners of the possessed human mind; a disturbing battle of the sexes that pits rational psychology against ag! e-old superstition; and a profoundly effective horror film.Lar! s von Tr ier's notorious Antichrist is a fascinating and extremely gruesome experiment that combines B-horror tropes with art film concepts and cinematography to question differences between high horror and low horror, if there are such categories. Like the best of Argento, namely Suspiria, Antichrist follows a strictly formulaic, minimalist, almost operatic script structure in which the story of a couple, played by Willem Dafoe and Charlotte Gainsbourg, grieve their dead son. The highly organized story, like a poem, has ample space for metaphors to form, dwell, and transform into overgrown mysteries, such as the decadent forest, Eden, where the couple retreat to their cabin to face demons. When the camera zooms in on a flower vase's murky water on the nightstand beside a bereft Gainsbourg, one senses the ensuing downward spiral.

While the film's plot, marked by chapters named after stages of grief, like "Pain" and "Despair," is rooted in absolute realism, t! he film's glorious moments are in its fantasy. There is a talking fox, subtle hints at ghostly occurrences, and many scenes that express the uncanny. Moreover, Gainsbourg's character, obsessed with witchcraft as it relates to historical gynocide and misogyny, adds much to the film's depressing sensibility that wallows unapologetically in decrepitude and faulty, negative reasoning. Dafoe, who plays the psychologist treating his hallucination-plagued wife, does a remarkable job depicting a person struggling through loss with logic. Antichrist works because Dafoe and Gainsbourg create archetypal characters, functioning symbolically as Logic and Psychosis in a Freudian maze with no exit. That said, the violent conclusions in the film's third chapter, "Despair (Gynocide)," are grim, graphic, and very difficult to watch. Antichrist, like its sister film in violence portrayed artfully, Irreversible, has all the more shock value because of the archetypal symbol! ism it successfully establishes. --Trinie DaltonHere is! Friedri ch Nietzsche's great masterpiece The Anti-Christ, wherein Nietzsche attacks Christianity as a blight on humanity. This classic is essential reading for anyone wishing to understand Nietzsche and his place within the history of philosophy. "We should not deck out and embellish Christianity: it has waged a war to the death against this higher type of man, it has put all the deepest instincts of this type under its ban, it has developed its concept of evil, of the Evil One himself, out of these instincts-the strong man as the typical reprobate, the 'outcast among men.' Christianity has taken the part of all the weak, the low, the botched; it has made an ideal out of antagonism to all the self-preservative instincts of sound life; it has corrupted even the faculties of those natures that are intellectually most vigorous, by representing the highest intellectual values as sinful, as misleading, as full of temptation. The most lamentable example: the corruption of Pascal, who beli! eved that his intellect had been destroyed by original sin, whereas it was actually destroyed by Christianity!" -Friedrich Nietzsche

Black Cat Run

• From the writer/ director of THE SHAWSHANK REDEMPTION comes a tense, explosive screenplay. Four escaped convicts are slaughtering anyone who gets in their way- and Johnny Del Grissom just lost a car race. His father's disappointed, and his girlfriend Sara Jane's dad- who just happens to be the local sheriff- won't allow her to see him anymore. It's not his lucky day. and that's just the beginning

A carload of escaped convicts just slaughtered the sheriff and kidnapped his daughter. Now they're heading for the border and the cops think Johnny did it! With the cops shooting first and asking questions later, Johnny's got a choice: Take the killer's bullet up front, or get shot in the back by the cops. Get ready for the Black Cat Run!

2008 Yu-Gi-Oh! Yugioh 5Ds Zombie World Structure Deck w/ Red Eyes Darkness Zombie Dragon

• Total Cards in Set: 40 Cards (39 Common, 1 Ultra Rare)
• New 5D's Deck focusing on the classic Zombie Deck.
• 40 Card Deck, Playmat, and Rulebook
• Check Out our other Yu Gi Oh! Listings!

Young Masters is a delightful new hardcover book and music series from Grammy Award® Winner Bunny Hull that is destined to be in every child s collection. 28 pages Preschool Early Reader w/CD Somewhere over the sky and under the moon, Butaan and Phylos met and became the best of friends. Now children everywhere can share in the wisdom and wonder of these two Young Masters as they explore life s hidden treasures and discover its most precious secrets. Illustrator Kye Fleming has created two loveable characters that capture children s hearts. Songs support the theme and actress Elayn J. Taylor narrates the story backed by a beautiful score created by Hull. In The Magic Eye, Butaan helps Ph! ylos to understand the boundless nature of the imagination, and how it can be used to overcome obstacles. Dan Cowan, Music DesignThis digital document is an article from The Futurist, published by Thomson Gale on January 1, 2008. The length of the article is 744 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: WorldFuture 2008: seeing the future through new eyes.
Author: Gale Reference Team
Publication: The Futurist (Magazine/Journal)
Date: January 1, 2008
Publisher: Thomson Gale
Volume: 42 Issue: 1 Page: 52(3)

Distributed by Thomson GaleBe prepared for the ultimate scare with the ! all new Yu-Gi-Oh! Structure Deck, Zombie World! Introducing br! and new cards and some highly desirable reprints, the all new Structure deck allows Duelist to create an indestructible Zombie army by turning ALL monsters into Zombies. This 40-card deck is enjoyable for the intermediate player and creates many new possibilities for the tournament level players by allowing them to fit any monster into a Zombie deck. This Deck also contains a new rulebook, playmat and a Dueling Guide that explains some of the exciting new strategies to use as well as relevant cards from recently-released products to help build an unbeatable Deck! Create an outbreak of Zombies with Zombie World!

Hellbound: Hellraiser II - 20th Anniversary Edition

• In 1988, it emerged as the shocking follow-up to the film that redefined the face of horror. Two decades later, it remains the most brutally original sequel in horror film history. Relive the nightmare of pleasure and pain as the puzzle box unleashes the depraved hunger of the Cenobites, the unholy birth of the Leviathan Configuration and even the horrific origin of Pinhead (Doug Bradley). Clare H

In 1988, it emerged as the shocking follow-up to the film that redefined the face of horror. Two decades later, it remains the most brutally original sequel in horror film history. Clare Higgins, Ashley Laurence and Kenneth Cranham co-star in this hit sequel from executive producer Clive Barker that experiences the flesh like no other. The time to play has come again: Surrender yourself to the infernal labyrinth of Hellbound: Hellraiser II.

In 1988, it emerged as the shocking follow-up to the film that redefined the face of horror. Two decades later, it remains the most brutally original sequel in horror film history. Clare Higgins, Ashley Laurence and Kenneth Cranham co-star in this hit sequel from executive producer Clive Barker that experiences the flesh like no other. The time to play has come again: ! Surrender yourself to the infernal labyrinth of hellbound:! Hellrai ser II â€" The 20^th Anniversary Edition.

SPECIAL FEATURES

The UNRATED version of the classic 1988 release

Audio Commentary with Cast and Crew

60 MINUTES OF NEW FEATURETTES:

The Soul Patrol  - ALL-NEW interviews with Cenobite performers Simon Bamford, Nicholas Vince, and Barbie Wilde.                                      !        

Outside The Box  - ALL-NEW interview with Director Tony Randel about how HELLBOUND shaped his creative future.

The Doctor Is In - ALL-NEW interview with Kenneth Cranham on his experiences playing the villainous Dr. Channard.

Under The Skin  - NEVER BEFORE RELEASED IN THE US interview with Doug Bradley (PINHEAD)

< !--[if gte mso 9]> !

Definitely not one for the weak of stomach, Hellbound takes up where the first Hellraiser left off, piling on the gore to near camp levels. Luckily, the 1988 sequel retains enough of British horror-meister Clive Barker's macabre wit--like the original, it's based on a Barker story--to save it from the schlock-heap. Hospitalized following her last misadventure, Kirsty (Ashley Laurence) implores authorities to destroy a bloody bed at the carnage scene, but the enigmatic Dr. Channard (Kenneth Cranham) brings an addled patient there and unleashes a dread Cenobite instead. As if that's not bad enough, Kirsty's getting distress calls from her father, who begs her to rescue him fr! om hell. When she journey through hell's dark labyrinths with a mute puzzle solver, however, Kirsty only finds the evil Pinhead (Doug Bradley) and other bizarro creatures, plus her nasty former stepmother and lascivious Uncle Frank. Much maniacal laughter and skin shedding later, the newfound compadres unlock the puzzle box again to safety. Hellbound isn't genius, but it does have flair, which goes a long way toward offsetting Laurence's leaden acting and occasionally over the top gore. --Diane Garrett

Dungeons & Dragons: The Complete Animated Series

• An enchanted roller coaster delivers six youth into the magical realmof Dungeons & Dragons. There, each of them gains magical talentsand abilities, all the better to survive their time in the Realm. Thebow-shooting ranger, the acrobat, the thief, the cavalier, the boywizard and the barbarian are soon joined by a baby unicorn and tutoredby the mysterious and inscrutable Dungeon Master. Opposing

Player's Option: Heroes of the Feywild™ is aimed at players who are ready to reach beyond the Player Essential books (Heroes of the Fallen Lands™ and Heroes of the Forgotten Kingdoms™) and play heroes with ties to the arcane plane of the Feywild.  This book includes new options for all characters, not just characters with the fey origin.

Players participating in the Dungeons & Dragons Encountersâ„¢ in-store play program from November 15, 2011 through February 8,! 2012 will be able to build characters using this product.

In the aftermath of revolution, King Kalak of Tyr is dead and all eyes fall on the lucrative iron mines of his once mighty city-state. Merchant houses scramble to seize what scraps they can while King Hamanu of Urik, the Lion of the Desert, rallies his armies to crush the Tyr rebellion underfoot. He cannot allow this insurrection to succeed and intends to seize the city’s precious resources for himself. The hope of the Tyr revolution seems destined to fail as the tyrannical specter of Hamanu’s war machine looms large on the horizon.
 
But fate chooses the most unlikely heroes. Loren, a gladiator pressed into service by a corrupt merchant prince; the ambitious Alaeda Stel who hopes to secure her family’s future by exploiting Tyr’s sudden weakness; a street thief named Melech; and Korvak the disgraced templar are Tyr’s best and only hope. The promise of freedom rests on their ability to overcome the! greed and lust for power that threatens to undermine the prin! ciples o f Tyr’s revolution.

The complete Dungeons & Dragons series! In this extremely popular series an enchanted roller coaster delivers six youth into the magical realm of Dungeons and Dragons. There, each of them gains magical talents and abilities, all the better to survive their time in the Realm. The bow-shooting ranger, the acrobat, the thief, the cavalier, the boy wizard, and the barbarian are soon joined by a baby unicorn and tutored by the mysterious and inscrutable Dungeon Master. Opposing them is the evil Sorcerer Venger, as well as various ogres, demons, bounty hunters, dragons, lizard men, skeleton warriors and more, all intent on keeping the kids from getting back home!

Boys of Baraka Poster Movie 11x17 Devon Brown Richard Keyser Justin Mackall Romesh Vance

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Boys of Baraka 11 x 17 Inches Style A Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

Don't miss the true coming-of-age story that follows a group of extraordinary 12-year-old boys from the most violent ghettos of Baltimore to an experimental boarding school 10,000 miles away in rural Kenya. An emotionally explosive journey shot over three years, the film zeroes in on a group of brave kids who are willing to cross the ocean to chase an opportunity - boys with a fierce determination to fight the label of "throw-away."

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.If everyone in high government office saw The Boys of Baraka, who knows what kind of positive change it might inspire? From this remarkable documentary about hope and second chances, the message is clear: The poorest, most violent, undesirable neighborhoods in America are a breeding ground for hopelessness and despair, and there's a solution if only we'd give it a good fighting chance. The scene is Baltimore, Maryland, in 2002, where 76% of all African American boys living in the inner-city ghetto will never earn a high school diploma. As one adult tells the kids at a Baltimore school, they have three choices: jail, an early death, or graduating high school--and you know she's telling the cold, hard truth. That's when we learn of the Baraka School in Kenya, East Africa, where 20 African American boys (ages 12 and 13) are chosen each year to enter a transformative two-year course of schooling, away from their families in Baltimore. The purpose of the school, in part,! is to demonstrate that the toxic environment of Baltimore, an! d its ne gative impact on the self-esteem of ghetto residents, can be reversed by removing these boys to Baraka, where a strict regimen of classes and responsibilities has an immediate, if not always permanent, beneficial effect.

We follow several boys on this fascinating journey toward growth and renewal. Devon is an aspiring preacher with musical talent; Montrey is a troublemaker with a bad attitude, who dreams of a career in science; brother Richard and Romesh are both accepted into Baraka, and despite setbacks both flourish in the program. Codirectors Heidi Ewing and Rachel Grady capture their gradual awakening to a new way of living and a new outlook on life, and then comes bad news: Due to security concerns and regional politics, the Baraka program is suspended, and the boys must return to the bleakness of Baltimore. Have they changed for good? Will they find a way to earn their diplomas and have hope for their futures? The Boys of Baraka offers no easy answers, but ! in showing us a glimmer of hope against all odds, the film gains depth and power with a conditional happy ending. Uncertainty remains, but so does a palpable sense of achievement and self-improvement that could, on a grander scale of government and societal support, lead to a positive revolution in our school system, which currently offers a depressing shortage of options for our most underprivileged citizens. Without forcing its uplifting message, this exceptional documentary offers proof of a better way, if only enough people would step up and support it. --Jeff ShannonIronweed Film Club. This DVD includes: Feature Film * One Short * Directors' commentary interactive menus and DVD extras. The Boys of Baraka Directed by Heidi Ewing and Rachel Grady * 2005 * 84 minutes. Ryan's Well Directed by Lalita Krishna * 2001 * 25 minutes. WINNER best documentary Chicago Int'l Film Festival 2005 WINNER best documentary Newport Int'l film festival 2005.Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Boys of Baraka is a 2005 documentary film produced and directed by filmmakers Heidi Ewing and Rachel Grady (both of whom also made Jesus Camp in 2006). Twenty at-risk boys from Baltimore attend the seventh and eighth grades at a boarding school in Kenya. The documentary follows them in Kenya and in Baltimore, before and after attending the Baraka School in Kenya. It also mentions that 76% of African Americans in Baltimore do not graduate High School. Boys of Baraka reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction i! s always guaranteed when you buy from Pop Culture Graphics,Inc