Tuesday, November 15, 2011

Spring Loaded Party Poppers (No gunpowder) - 12 pc

FIDO

  • Fido Has Attitude With His Spiked Collar. He Appeals To Children and Adults.
  • FIDO Walks, Barks, Heels and Flips 360 Degrees And Lands Back On His Feet
  • 3+
No description available for this title.
Item Type: DVD Movie
Item Rating: R
Street Date: 10/23/07
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveIt doesn't take long for the hilarity of Fido's central idea to kick in: the world is reeling from the Zombie War, and the undead are being contained in two different ways. Some of them are roaming loose in fenced-off wilderness zones. The rest are, thanks to the good people at the ZomCom corporation, docile and domesticated--indeed, availa! ble as house servants for the upwardly-mobile. Such is the case with the Robinson family, a suburban clan who seem to have stepped straight out of an old episode of Lassie. Little Timmy is happy about the new manservant, whom he promptly dubs "Fido," and Fido himself is fine as long as the mechanical collar around his neck doesn't malfunction (in which case he will revert to being a cannibalistic brain-eating zombie). Fido is played, in a stroke of inspiration, by the Scots comedian Billy Connolly, although you wouldn't be able to recognize him without already knowing he's in the movie. Dylan Baker and especially Carrie-Anne Moss are just right as Timmy's parents, who have accidentally wandered out of a John Cheever novel and into a George Romero world. Director Andrew Currie skillfully gets the 1950s satire and the zombie action right, although there's no way to disguise that this premise is too thin to spread out over feature length. For a while, though, Fido hits a stride--a staggering, vacant-eyed stride. --Robert! Horton< /I>Los Reyes Del Perreo, Alexis y Fido return with their biggest album to date, "Perreologia". After the success of "Down to Earth," which attained Gold status in sales. "Rescate," the first single from their new album, "Perreologia" is the most anticipated urban album set to release this year. As Alexis y Fido's star power increases so does the duo s marketability. In 2008, AT&T handpicked the duo to star in its widely successful "Far but Close" national campaign alongside actress Roselyn Sanchez and Basketball player Carlos Arroyo. Also in 2008 Alexis y Fido were nominated for two Latin Grammys and also received a nod in the Best Urban music Song category for "Soy Igual Que Tu." This new album takes them back to their roots of Perreo and has collaborations with Daddy Yankee and Flex just to name a few. With their first single already climbing the radio charts and a strong presence in all major Latin markets, Perreologia is going to take the scene by storm.BOY EATS GIRL - D! VD MovieFIDO BLACK WALKING BARKING FLIPPING DOG - Black

Captivity

  • Special Features include * The Making of Captivity Featurette * On-the-Set Look Featurette * Deleted Scenes
  • Widescreen 16 x 9 (2.35:1)
  • Feature Film run time 85 minutes
  • 5.1 Dolby Digital Surround EX Audio
  • 6.1 DTS-ES Audio
CAPTIVITY - DVD MovieThis masterful historical novel by Deborah Noyes, the lauded author of Angel & Apostle, The Ghosts of Kerfol, and Encyclopedia of the End (starred PW) is two stories: The first centers upon the strange, true tale of the Fox Sisters, the enigmatic family of young women who, in upstate New York in 1848, proclaimed that they could converse with the dead. Doing so, they unwittingly (but artfully) gave birth to a religious movement that touched two continents: the American Spiritualists. Their followers included the famous and the rich, and their effect on American spirituality lasted a full generation. Still, there are echoes. ! The Fox Sisters is a story of ambition and playfulness, of illusion and fear, of indulgence, guilt and finally self-destruction. The second story in Captivity is about loss and grief. It is the evocative tale of the bright promise that the Fox Sisters offer up to the skeptical Clara Gill, a reclusive woman of a certain age who long ago isolated herself with her paintings, following the scandalous loss of her beautiful young lover in London. Lyrical and authentic and more than a bit shadowy Captivity is, finally, a tale about physical desire and the hope that even the thinnest faith can offer up to a darkening heart.No Description Available.
Genre: Horror
Rating: R
Release Date: 30-OCT-2007
Media Type: DVD

Endgame, Vol. 1: The Problem of Civilization

  • ISBN13: 9781583227305
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Greece isn't the only country drowning in debt. The Debt Supercycleâ€"when the easily managed, decades-long growth of debt results in a massive sovereign debt and credit crisisâ€"is affecting developed countries around the world, including the United States. For these countries, there are only two options, and neither is goodâ€"restructure the debt or reduce it through austerity measures. Endgame details the Debt Supercycle and the sovereign debt crisis, and shows that, while there are no good choices, the worst choice would be to ignore the deleveraging resulting from the credit crisis. The book:
  • Reveals why the world economy is in for an extended period of sluggis! h growth, high unemployment, and volatile markets punctuated by persistent recessions
  • Reviews global markets, trends in population, government policies, and currencies

Around the world, countries are faced with difficult choices. Endgame provides a framework for making those choices.

Q&A with Authors John Mauldin and Jonathan Tepper

Author John Mauldin
What is the debt supercycle?
Over a period of about sixty years, debt levels grew faster than incomes. This increase in debt became particularly pronounced in the 1980s, 90s a! nd finally went parabolic after the Federal Reserve lowere! d intere st rates to 1% after the Nasdaq crash. The increase in debt was not just a US phenomenon. As interest rates fell structurally with the fall in inflation from 1982 onwards, people took on more debt because it became more manageable. However, by 2008 the burden of debt became too much to bear and the debt supercycle came to an end. People started deleveraging and banks started collapsing due to low levels of capital and large losses from loans people couldn't pay back.

How does the sovereign debt crisis play into this?
The rapid contraction in debt levels due to default and deleveraging lead to a fall in economic activity as people started saving and cutting spending. Governments immediately stepped in and backed bank debt with explicit guarantees. Governments also started borrowing and spending to transfer money to the private sector, for example via unemployment insurance. So in a very real sense, private borrowing was replaced wit! h public borrowing. Debt was added onto more debt. Rather than free itself of debt, the system now has more debt. The sovereign debt crisis is the recognition that most of this debt will not be paid back, and governments are making promises to pay debt and other obligations, for example general spending and pensions, that they simply lack the ability to fulfill.

What is the impact of the end of the debt supercycle?
Author Jonathan Tepper
The end of the debt supercycle and the beginning of the sovereign debt crisis present problems and challenges for investors and governments. Governments will need to either 1) inflate, 2) default or 3) d! evalue, which is similar to inflate. That is the way governme! nts have historically dealt with too much debt. Some countries will experience deflation and others inflation, depending on what choices governments make. Currently governments have only bad and worse choices. Let's hope they can choose wisely.

What do you predict for the next ten years?
Central banks globally have shown a predisposition to print money to solve problems. We forsee rising inflation in many parts of the world, reductions in real income as people lose purchasing power due to higher food and fuel prices and more macroeconomic volatility. Some countries that do not control their own money supply or are running pegs may experience deflation as they are forced to delever and cannot increase the money supply to counteract the weight of deleveraging.

You cite the events in Greece as an example of a country continuing to run massive deficits. Is there an example of a country making a better choice?
The UK is making some of the right steps to control spending, but even the UK could be more draconian. In nominal and real terms, government spending in aggregate will not be cut in the UK. Also, Iceland has made positive steps by defaulting on its debt effectively. Default is a good way to cure too much debt.
Endgame is acclaimed biographer Frank Brady’s decades-in-the-making tracing of the meteoric ascentâ€"and confounding descentâ€"of enigmatic genius Bobby Fischer.  Only Brady, who met Fischer when the prodigy was only 10 and shared with him some of his most dramatic triumphs, could have written this book, which has much to say about the nature of American celebrity and the distorting effects of fame.  Drawing from Fischer family archives, recently released FBI files, and Bobby’s own emails, this account is unique in that it limns Fischer’s entire lifeâ€"an odyssey that took the Brooklyn-raised chess champion from a! n impoverished childhood to the covers of Time, Life an! d New sweek to recognition as “the most famous man in the world” to notorious recluse.
 
At first all one noticed was how gifted Fischer was.  Possessing a 181 I.Q. and remarkable powers of concentration, Bobby memorized hundreds of chess books in several languages, and he was only 13 when he became the youngest chess master in U.S. history.   But his strange behavior started early.  In 1972, at the historic Cold War showdown in Reykjavik, Iceland, where he faced Soviet champion Boris Spassky, Fischer made headlines with hundreds of petty demands that nearly ended the competition.
 
It was merely a prelude to what was to come.
 
Arriving back in the United States to a hero’s welcome, Bobby was mobbed wherever he wentâ€"a figure as exotic and improbable as any American pop culture had yet produced.  No player of a mere “board game” had ever ascended to such heights.  Commercial sponsorship offers poured in, ultimately topping $10 mil! lionâ€"but Bobby demurred.  Instead, he began tithing his limited money to an apocalyptic religion and devouring anti-Semitic literature. 
 
After years of poverty and a stint living on Los Angeles’ Skid Row, Bobby remerged in 1992 to play Spassky in a multi-million dollar rematchâ€"but the experience only deepened a paranoia that had formed years earlier when he came to believe that the Soviets wanted him dead for taking away “their” title.  When the dust settled, Bobby was a wanted manâ€"transformed into an international fugitive because of his decision to play in Montenegro despite U.S. sanctions.  Fearing for his life, traveling with bodyguards, and wearing a long leather coat to ward off knife attacks, Bobby lived the life of a celebrity fugitive â€" one drawn increasingly to the bizarre.  Mafiosi, Nazis, odd attempts to breed an heir who could perpetuate his chess-genius DNAâ€"all are woven into his late-life tapestry.
 
And yet, as B! rady shows, the most notable irony of Bobby Fischer’s strang! e descen t â€" which had reached full plummet by 2005 when he turned down yet another multi-million dollar paydayâ€"is that despite his incomprehensible behavior, there were many who remained fiercely loyal to him.  Why that was so is at least partly the subject of this bookâ€"one that at last answers the question: “Who was Bobby Fischer?”Amazon Best Books of the Month, February 2011: There may be no one more qualified than Frank Brady to write the definitive biography of Bobby Fischer. Brady's Profile of a Prodigy (originally published in 1969) chronicled the chess icon's early years, a selection of 90 games, and (in later editions) his 1972 World Championship match with Boris Spassky. With Endgame, published two years after Fischer's death, Brady's on-and-off proximity to Fischer lends new depth to the latter's full and twisted life story. Though Fischer's pinnacle artistry on the chessboard may often be discussed in the same br! eath with his eventual paranoia and outspoken anti-Semitism, the particular turns and travels of his post-World Championship years (half his life) lend his story most of its vexing oddity: the niggling insistence on seemingly arbitrary conditions for his matches, the years on the lam after flagrantly disregarding U.S. economic sanctions, his incarceration in Japan, his eventual citizenship and quiet demise in Iceland. All told, Fischer's life was like none other, and told through the lens of Brady's personal familiarity and access to new source material, results in an utterly engaging read. --Jason Kirk

Guest Reviewer: Dick Cavett

Dick Cavett is the host of ! “The Dick Cavett Show”---which aired on ABC from 1968 to 1! 975 and on public television from 1977 to 1982---Dick Cavett is the author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets. The co-author of Cavett (1974) and Eye on Cavett (1983), he has also appeared on Broadway in Otherwise Engaged and Into the Woods, and as narrator in The Rocky Horror Show, and has made guest appearances in movies and on TV shows including Forrest Gump and The Simpsons. His column appears in the Opinionator blog on The New York Times website. Mr. Cavett lives in New York City and Montauk, N.Y.

Even if you don’t give a damn about chess, or Bobby Fischer, you’ll find yourself engrossed by Frank Brady‘s book about Fischer, which reads like a novel.

The facts of Bobby’s life (I knew him from several memorable appearances on “The Dick Cavett Show” on both sides of the Big Tournament) are presented in page-turne! r fashion. Poor Bobby was blessed and cursed by his genius, and his story has the arc of a Greek tragedy---with a grim touch of mad King Lear at the end.

The brain power and concentrated days and nights Bobby spent studying the game left much of him undeveloped, unable to join conversations on other subjects. Later in his life, unhappy with his limited knowledge of things beyond the chess board, he compensated with massive study---applying that same hard-butt dedication to other fields: politics, classics, religion, philosophy and more. He found a hide-away nook in a Reykjavic bookstore---barred from his homeland, Iceland had welcomed him back---where he read in marathon sessions. (After he was recognized, he never went back to his cozy cul de sac.)

In Brady’s telling the high drama of the Spassky match quickens the pulse; the contest that made America a chess-crazed land was seen by more people than the Superbowl. People skipped school and played sick ! in vast numbers, glued to watching Shelby Lyman explain what w! as happe ning. The fanaticism was worldwide. The match was seen as a Cold War event, with the time out of mind chess-ruling Russian bear vanquished.

Arguably the best known man on the planet at his triumphant peak, Bobby is later seen in this account riding buses in Los Angeles, able to pay his rent in a dump of an apartment only because his mother sent him her social-security checks. The details of all this are stranger than fiction, as is nearly everything in the life of this much-rewarded, much-tortured genius.

I liked him immensely, knowing only the tall, broad-shouldered, athletically strong and handsome six-foot-something articulate and yes, witty, youth that Bobby was before the evil times set in, with deranged anti-Semitic outbursts and other mental strangeness preceding his too early end at age 64.

I can’t ever forget the moment on the show when in amiable conversation I asked him what, in chess, corresponded to the thrill in another sort of event;! like, say, hitting a homer in baseball. He said it was the moment when you “break the other guy’s ego.” There was a shocked murmur from the audience and the quote went around the world.

Frank Brady’s Endgame is one of those books that makes you want your dinner guests to go the hell home so you can get back to it.

The long-awaited companion piece to Derrick Jensen's immensely popular and highly acclaimed works A Language Older Than Words and The Culture of Make Believe. Accepting the increasingly widespread belief that industrialized culture inevitably erodes the natural world, Endgame sets out to explore how this relationship impels us towards a revolutionary and as-yet undiscovered shift in strategy. Building on a series of simple but increasingly provocative premises, Jensen leaves us hoping for what may be inevitable: a return to agrarian communal life via the disintegration of civilization itself.

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